Geoffrey's work spans mythology, history, literature, and fiction. He has written a biography of Gandhi, The Encyclopedia of Prophecy, and the occult novel The Finger and the Moon, as well as numerous other titles, the majority of which delve into the history and legend behind King Arthur. On the study tour, our most used text book was The Mythology of the British Isles, the preface of which provides today's excerpt.
P.S. I'm trying something new by linking to an assortment of booksellers rather than falling back on B&N (where I do the majority of my shopping). Any thoughts on that?
(Here, Geoffrey addresses use of the word "mythology" in the title:)
Is "mythology" justified here? Much of the material is unlike myth in the classical sense, being more miscellaneous and often closer to history of literature. Yet when all these things are assembled and considered together, it seems clear to me that they have an interrelatedness which is seldom realised, and that their significance goes beyond entertainment or weaving of individual yarns. Whatever their precise nature, they have mythic dimension. They express ideas about a certain territory and how it came to be as it is: about is place in the world, its landscape, its inhabitants, their society and government.
The time-span of the survey extends from prehistory to the ninth century AD. It ends where it does, not because there are no myths applicable to later times, but because, with the movement into better-recorded history, their character alters. We get tales that simply embroider the lives of well-known persons, such as the heroes of Scottish independence, and Francis Drake. We get conscious fictions, such as Frankenstein and Dr Jekyll and Mr Hyde. The difference is sometimes one of degree rather than kind, and with Robin Hood, for example, the older type of myth-making is still at work. But a line must be drawn somewhere, and I hope the ninth-century ending will be seen as a logical conclusion, beyond which it would be difficult to go without a loss of consistency.
It may be objected that most of the matter is retrospective. It is what has been believed or imagined long afterwards, not what was believed or imagined at the time or anywhere near it. But the same is true of the Greek myths as well, or any other. Mythology is long-term creation.
Geoffrey Ashe with the Myth in Stone tour, 2000, at the site of Arthur's Grave at Glastonbury Abbey.
Geoffrey and the Myth in Stone tour, 2009, at the same site.